On November 3, 2025, acclaimed electronic composer Daniel Lopatin, known widely under his artistic moniker Oneohtrix Point Never, debuted the official music video for “Cherry Blue,” a track from his much-anticipated forthcoming album Tranquilizer. The video arrives as part of a staggered rollout in the lead-up to the album’s full release later this month, and it exemplifies Lopatin’s deepening commitment to fusing avant-garde electronic soundscapes with experimental visual storytelling.
Directed by French painter and multimedia artist Pol Taburet, the video for “Cherry Blue” marks Taburet’s first major foray into music video direction. The visuals unfold through an eerie yet compelling blend of surrealist imagery, touching on themes of corporeality, mortality, rebirth, and transformation. Rendered in dreamlike compositions, the piece oscillates between abstraction and the visceral, echoing the conceptual motifs often embedded in Lopatin’s musical output. Taburet’s style, deeply rooted in the grotesque and fantastical, lends a complementary visual language to the track’s ambient dissonance and fragmented melodies.
The song itself is the eighth track on Tranquilizer, which is scheduled for digital release on November 17, with physical editions arriving on November 21 through Warp Records. Lopatin, who has built a reputation as a pioneering figure in modern electronic and ambient music, draws heavily on sonic fragments culled from vintage commercial sample libraries and construction kits—many of which he sourced from open online archives. These materials serve as the foundational palette for Tranquilizer, reassembled and manipulated into intricate, often haunting sound collages that mirror the track’s exploration of sensory tension and digital nostalgia.
“Cherry Blue” represents the fifth single released ahead of the album, following earlier tracks such as “For Residue,” “Bumpy,” “Lifeworld,” and “Measuring Ruins.” Each of these releases has contributed to a carefully calibrated promotional strategy that has maintained interest among Lopatin’s loyal fanbase while also capturing the attention of new listeners in the broader experimental and club-oriented scenes. This latest video amplifies that strategy, offering a multi-sensory experience that further immerses audiences in the album’s evolving universe.
For Lopatin, the integration of music and visual art has never been secondary. Throughout his career, he has collaborated with filmmakers, performance artists, and digital designers to elevate his compositions beyond traditional listening contexts. His past works have included partnerships with visual artists like Takeshi Murata, contributions to cinema through scoring films such as the Safdie brothers’ Uncut Gems, and immersive performances that blend sound and light into unified, often meditative experiences. “Cherry Blue” and its accompanying video continue in that lineage, using visual surrealism not only to complement the audio but to extend its narrative reach.
The video’s aesthetic also reflects a broader trend in the contemporary music industry, where artists working within niche genres increasingly rely on striking visual elements to distinguish their work in a saturated digital market. In the case of Oneohtrix Point Never, the visuals are not simply promotional tools but artistic extensions of the music itself. The complex interplay of sight and sound invites deeper viewer engagement and offers fans a more textured encounter with the music, encouraging repeat viewings and discussions across social media and music forums.
Beyond the immediate excitement surrounding the video release, “Cherry Blue” has implications for how Tranquilizer will be received both critically and culturally. Thematically, the track appears to underscore some of the core concerns that animate the album—questions of perception, memory, and the artificial boundaries between human and machine. These themes resonate with longstanding debates in electronic music about authenticity, authorship, and the role of technology in shaping artistic expression. By framing these ideas through both sonics and visuals, Lopatin continues to challenge and expand the conventional boundaries of his genre.
As the album’s release date approaches, there is growing speculation about how Lopatin will translate Tranquilizer into a live format. While no full tour has yet been announced, past performances have included elaborate stage designs and real-time visual manipulation, suggesting that any future shows may incorporate elements from the “Cherry Blue” video and the broader visual ecosystem of the album. For now, the video serves as a standalone piece of art that heightens anticipation and offers a glimpse into the conceptual framework underpinning the full record.
In sum, the release of “Cherry Blue” signals a confident continuation of Oneohtrix Point Never’s multidisciplinary vision. Through his collaboration with Pol Taburet, Lopatin once again demonstrates his ability to transcend genre and medium, crafting work that resonates intellectually and emotionally across artistic boundaries. As Tranquilizer nears release, “Cherry Blue” stands not just as a single track, but as a statement of intent—one that situates Lopatin at the intersection of experimental music, digital nostalgia, and contemporary visual art.